CHAPTER FIVE
Fanzines are independently published
magazines that are mostly made in the bedroom, kitchen or workplace. It was
started by the Science Fiction fandom back in 1930. The publishers mostly used
cheap methods to duplicate the copies such as mimeograph and photocopy. Most of
fanzine publishers are non-professional writers or artists and publish for fun,
love or passion. They are constructed mostly using
conventional ways such as cut and paste for the layout and hand-writing for the
texts. Very few people publish fanzines for
money or fame.
Music
is one of the subjects of fanzines among others such as arts, comics, horror films,
sports and real life stories. Its conventional methods in layout and text
construction produce spontaneous, eye-catching and intimate looks. Examples of
these methods are cut and paste and hand-writing lettering. They also explore
other print techniques such as silk-screen, block printing and other types of bindings
such as stitch binding, rubber band binding and some are not even bound at all.
Fanzines are unique in a way that it is up to the publishers’ creativity and
wildest imagination how to design, print, bind and distribute them.
Most
of the music fanzines are sold at concert or gigs, at fanzine events and some
who are more optimistic send their fanzines to be sold at record stores, book
stores and even toy stores. Fanzine tours and events were organized for fanzine
publishers and readers to meet up, sell their products and exchange products
among themselves. In such events, normally readings were made where fanzine
publishers read their latest issue to the crowd.
Printed
mainstream music magazines are facing a slump mostly due to the rapid increment
of internet technology application. A lot of music websites and blogs were
created to write and review about the latest music releases and news. Most
music lovers nowadays prefer to read on the net. But most of the websites and
weblogs are using template designs, so they look quite the same with each
other.
They
can even download the music straight to their computer and they no longer need
to read reviews in printed music magazines to know about the latest music in
the market. They can review it themselves after downloading the music and keep
them if they like it or delete them if they feel otherwise.
In
Malaysia, there are magazines that choose to change their revenue to online
media such as Junk music magazine which stopped publishing the
printed version of their magazine. But there are also music magazines that have
a target market for people who buy hardcopy music magazines such as ROTTW
magazine. They have to repackage and redesign their magazines to give it a
fresh look and life before the market value drops totally.
With
the eye-catchiness and intimate sense of fanzine graphics, it could be used to
be incorporated into printed music magazine designs. This will enhance the
aesthetical value of the magazine and the readers would be compelled to buy
them. Just like music compact discs where musicians and the record company
spend on designing the cover booklets, it will attract people at first glance
on the record store shelves or see the image online. The more unique the
design, the more people would want to buy and keep it.
A
survey was carried out to find out the response about incorporating fanzine
graphics into music magazines and also which fanzine graphics are most
preferred by music listeners. The respondents gave a positive feedbacks to the
questionnaires distributed to them.
The
fanzine graphics that they think readers will like the most in a music magazine
is the cut and paste look. For typeface, most preferred hand-lettering as
opposed to typewriter lettering. The most preferred size is A4 size and perfect
binding stands out as the most popular compared to other types of bindings. The
most preferable cover mount is poster. The music listeners did not vote for
music samplers as a preferred cover mount possibly because they can download
the music they want while for posters, you need the hardcopy to paste it
anywhere.
It
is hoped by incorporating fanzine graphics into professional printed music
magazines, people will keep on buying them and the survival can be prolonged.
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