This research is carried out to offer reference for new design approaches to music magazines using fanzine graphics. This is to cater to the task that most music magazines have to experiment with a new design approach and give an alternative to the current look.
Norman
C Brannon (2009), a fanzine publisher and music magazine writer said that music
magazines’ looks should be experimented. He suggested that aesthetic value can
be added to music magazines by incorporating fanzine looks and desktop
publishing methods. The readers would be more compelled to buy for its
alternative aesthetic. This is also supported by Mallory Gevaert from Alarm
Press who said fanzine graphics can be eye-catching and well noticeable at
newsstands. The researcher intends to adapt the amateur looks of fanzines to be
an alternative style for professional printed music magazines design.
On
17 February 2011, British Media trade magazine, Press Gazette reported that six
out of eight music magazines in the UK sales for the second half of 2010 have
dropped. Below are the figures from their website;
|
Magazine Name
|
Sale
|
Percentage change year on year
|
|
Empire
|
179,
064
|
-11.1%
|
|
Mojo
|
91,
678
|
-3.9%
|
|
Q
|
89,
450
|
-6.9%
|
|
Uncut
|
74,
067
|
-3.9%
|
|
Classic
Rock
|
70,
323
|
-5.0%
|
|
Metal
Hammer
|
44,
013
|
0.1%
|
|
Kerrang!
|
44,
013
|
4.5%
|
|
New
Musical Express
|
33,
875
|
-16.4%
|
Figure
9: UK Music Magazine sales statistics for second half of 2010
As
written by Jonah Weiner, music magazines are decreasing in sales mostly because
of the threat from internet technology. Readers prefer to read reviews in
weblogs or download the music themselves rather than reading the reviews in
printed magazines. The same goes to Malaysian music magazine industry as agreed
by Mohd Rom Mohd Nor, the manager of ROTTW music magazine.
Recently
in August 2010, one of the local leading music magazines, Junk also ceased publication after 47 issues. They’ve been
publishing since October 2006 and their final printed issue was on August 2010.
They continued their journey as a brand through online magazine and event
organizing. The music magazine industry
has to face the threat of internet technology takeover.
Mohd
Rom Mohd Nor suggests that for music magazines to survive, the most important
thing is the packaging of information. It must be updated before the appeal to
the market drops. The publication has to be repackaged to give a fresh and
prolonged life.
Figure
10: Local music magazine that used to be published consistently but vanished
from the market.
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